[A truncated version of this post was presented at the “Music Video as Form” panel for the Modernist Panel, here at my home institution of Yale University.]
Today I’m going to be talking about space and narrative in music videos. The videos I will be discussing engage space as a site of emotional discourse through the juxtaposition of audio and visual information, fixed perspective and viewerly participation. The goal is not outline trends in the construction of recent music videos, nor is it to signal the general architecture of alternative music’s relationship to the music video form – the selected pieces function nevertheless as way for understanding the narrative role of spatial representation as an element which the music video form freely manipulates in order to invoke a particular affective response in the viewer.
About a year ago, I was invited to be on my sister’s show the Grapevine. They were filming an episode about the relationships and tensions between Africans and African-Americans, and, knowing that I research contemporary (West) African literature, my sister invited me on the show for what was, in my opinion, a nice and informative conversation about the complexities of life in the United States for people whose bodies are read as Black, yet who experience Blackness in different, nuanced ways particular to their ethnic and national identities. The episode I was on was never aired, mostly because my sister and the showrunner, Ashley Akunna, were worried that it would start a war in the comments, but a recent reshoot of this segment, split across three episodes in order to include West Indian experiences, incurred such great vitriol among Black people from all walks that Ashley turned off the comments on the videos. I will provide links below, but I wanted to take the time to reprise a post I wrote in April of last year which defined African-American as an socio-ethnic marker in order to explore some of the pitfalls of this classification, as well as the great necessity for increased conversation on the merits and complexities of ethnicity in discussions of race in the United States.
On cyberfeminism, rhetoric and our social limitations
I recently subscribed to an educational Youtube channel because I’ve always been a fan of educational television but don’t have cable anymore. The channel, Second Thought, has a lot of content which is enlightening, but there’s this one video that led me to immediately unsubscribe. The video is titled “What the Hell Happened to Feminism?” and is a pretty tone-deaf overview of what the narrator described as Tumblr Feminism (fourth-wave / cyberfeminism), highlighting specific instances of feminists living and fighting for their survival as somehow invalidating the entirety of 4WF politics. I’m not about to rip Second Thought to pieces here because that channel is only one instance of a general issue which is happening all across American cultural politics, and is not simply limited to issues of gender, but to issues of identity itself – lack of compassion.