This is a presentation script prepared for Christopher Miller’s course Slavery and its Aftermath in French and Francophone Literature.
L’esclave vieil homme et le molosse is a novel written by Martinican author and 1992 Prix Goncourt winner Patrick Chamoiseau, published originally by Gallimard in 1997. The novel tells the story of an old man who, under the spell of a mythical ailment known only as the décharge, flees captivity into the woods surrounding his master’s plantation. He is thereafter chased by the Master and his mastiff, the rest of the novel recounting the triptych of these three characters’ inevitable boundedness to one another. While there is so much to be said about this short text, my presentation today will attempt to situate Chamoiseau’s novel within a political and aesthetic discourse on history in relation to Martinique’s curious position within the French nationalist archipelago. When we read a novel like L’esclave vieil homme, we are not only reading a novel about a past which has been, within the French cultural and national memory, willfully repressed and unquestionably overlooked, but we are also, in our act of reading, contributing to a counternarrative, a counter-history which brings into questions contextualizes, resists and defies the dominant narrative, that thing which we call History with a capital H. My presentation will look exactly at the question of L’esclave vieil homme as a literary object which attempts to reconfigure the ways we ought to think about French History with a capital H as a historical imposition which subjects of les vieilles colonies in particular must endure. In doing so, I draw broad strokes around the complexities and intricacies of a particularly ultramarin possibility for postcolonialism, given that colonialism in the Antilles and Reunion never formally ended.Continue reading Slavery and History in Chamoiseau’s L’Esclave vieil homme et le molosse
Digital memory, masculinity and control in Black Mirror S1E3: “The Entire History of You”
A few days I started rewatching what is, in my opinion, one of the best, most thought-provoking shows on television, Black Mirror. You can catch all seven episodes of it on Netflix, and I really do recommend it if you’re a fan of shows like the Twilight Zone or Twin Peaks. The show uses technological advances to explain the darker parts of the human condition and does a great job of asking those huge questions about selfhood, memory, love and human sympathy. Wanting to sort of create new content for this blog and speak less about the sort of heady, large, ideological topics which I find in my studies, I decided to analyze one of my favorite episodes.