why I can’t write an asian narrator

Du Boisian double-consciousness applied to writing narratives. 

I have been reading James Baldwin’s Tell Me How Long the Train’s Been Gone for the past three days now. I’ve been absorbing such heavy doses of the stuff that my mind is spinning around literary questions. In this book, Baldwin is actually speaking from the perspective of a Black narrator, unlike Giovanni’s Room, where the narrator is a white man. Yet, I wonder if there are any Baldwin books – I have not read them all, sadly –  where the narrator is not a Black or White man. A Latina woman? A Black woman? An Asian man?

It is striking to me to think of the various first-person narrators throughout literary history and to see how closely their race reflects the race of their writers. Nick from The Great Gatsby, Yunior from The Brief, Wondrous Life of Oscar Wao, Janie from Their Eyes Were Watching God, Jim from My Ántonia – all of these characters belong to a specific racial narrative, the likes of which is hardly crossed… and perhaps for good reason.

What does it mean for a white man to write from the experiences of a Black man? Of a Black woman?

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inorganic

Three years ago, if you asked me what I would be minoring in, I probably would have said History or Black Studies or even Film Studies. I most likely wouldn’t have said… French?

I’ve been studying French for two years now. My first semester at Swarthmore I did not take a French class and sort of just trained myself using all sorts of online resources. I was able to skip the first level of Intensive First-year French from learning the language in a way which to me can only be described as inorganic. Computerized voices uttered words which to me sounded more like garbled tv noise than human language. Questions, likely generated randomly, tested how well I could put together the jagged, undefined pieces of the puzzle which was my comprehension of French grammar and syntax. Rote memorization of words which were ciphers for English.

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the middle

Reflections on blackness, class and privilege.

Anyone who sees me around campus is likely to see me in this navy “Pace University Alumni” t-shirt. This t-shirt is one of my favorites, not only because its comfortable and well-worn (that is, it fits my body well from me stretching it out just enough so that it doesn’t lose its shape or look sprayed-on) but because of the symbolism behind it. I never really paid attention to the fact that my parents had both graduated from college until I arrived at Swarthmore. It was an unspoken part of my reality, an unseen privilege which was only made apparent to me when I realized that other people didn’t have it as well. And I suppose it may have been due to the fact that I was embarrassingly naive in high school or simply out-of-touch with the world around me, suspended in the little bubble that is my town.

And it didn’t really mean all of this to me when I started wearing the shirt around the house, at that time during this weird weight loss journey of mine when the shirt was still too tight for me to wear it in public. It didn’t even dawn on me when I noticed for the first time that I really liked the way I looked in that shirt, or when I realized how upset I was when I found a hole in the armpit. It wasn’t until this summer that I sort of became cognizant of it all, to be honest.
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